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“Isobel, play one of your pieces, let’s see how your recital helped you to-day.” “You’re a brilliant youth Moses,” smiled Howard approvingly, “and sure to get on in life. You don’t appreciate your own cleverness half as much as I do.” “Stop that there ‘Dead March of Saul,’ an’ go put on yer overalls,” ordered Mrs. Wopp, “what’s the idear of the gardenin’ tool, go git the littlest shovel to put inter the chimbly, an’ don’t let the grass grow under yer feet, neither.”.

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“Every tub must stan’ on its own bottom,” commented Mrs. Wopp. But even as she spoke, an unmistakable expression of gratified pride spread over her large motherly countenance. The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. The whistle shrilled up the narrow valley, echoing back and forth from the steep green hills that bounded it. Geewhillikins did not wait for four feet to be on the floor to spring at the plate. He put his paws on one pile of meat, and began to gobble the other, growling savagely. The house cats drew back, curled their tails around their forefeet, and looked at the gorger in calm disdain..